Li’l Dawg Pickups

For a while I have been wanting to change the pickups in a couple of my guitars but I also wanted a low output set for my needs which I was having trouble finding at a price I was willing to pay. So I came up with the idea of winding my own, & that’s just what I did. I ordered in a winding machine, the various parts that I needed for what I wanted, and took a wild guess as to how many turns would be right for me.

After a few attempts I got the process down and away I went. My first set of pickups for my Strat turned out to be 4.8KΩ on the bridge, 4.6KΩ on the neck, & the middle was calibrated nicely at 4.4KΩ as a RW/RP unit.

The true test was gong to be what pickups sounded like though, & I was very happy with the result as I have a tight low end to them with moderate midrange, and lots of chime on top.
Long story short, I decided to venture into the pickup winding side of things as well. I’ll be sticking to single coils only and putting together sets for Strats & Tele’s as well as individual pickups as needed & I can also custom wind to spec or rebuild pickups upon request. The upside of the pickups is that I now have something to do in between amp builds.

ChainSaw review from Charlie Shapiro

It’s taken me a while to put this review of the Chainsaw up that my friend Charlie Shapiro did for me, but here’s it is now.

Lil Dawg Chainsaw Stand-alone review:
I am going to leave the stand-alone practice amp for Mark Revel’s review. He covered it all and I am in agreement with his findings.

Lil Dawg Chainsaw first device in the pedal chain:
I tested the 1 watt with the tube complement of v1: 12AX7 , v2: 12AX7, v3: 12AU7, silver pin JJ’s. I ran the 1 watt in the first position of my pedal chain with the guitar going into the 1 watt.
The sonic fingerprints was dead on for that elusive Black Faced Twin Reverb sound of Clarence White, Marty Stuart, and Jerry Garcia at their best.

Testing the 1 watt Chainsaw with the tube complement of v1: 12AX7, v2: 12AX7, v3: 12AU7, Gold pin JJ’s. I ran the 1 watt in the first position of my pedal chain with the guitar going into the 1 watt. The Gold pins created a wider creamer sound than the Silver pins with what appeared to be an earlier break-up that was fatter sounding. Starting to encroach upon British amp territory. By manipulating the Volume and single tone control, I was able to achieve a convincing Hi-watt, Orange, and Marshall type sound. I spoke to Euro Tubes and they said that Gold pins are more linear than the Silver pins in guitar amps.

Lil Dawg 1 Watt Chainsaw as last device in the pedal chain:
The most interesting position, for my ears and tastes, is placing the Lil Dawg 1 watt at the end of my pedal chain and outputted into the amplifier’s input. Volume and single knob tone controls were varied below and around 9 o’clock. The Lil Dawg 1watt in this potion, adds an amp’s ‘output section’ of distortion and tone to the chain. Further, the Lil Dawg 1 watt is very reactive to pedals and changes tone greatly depending on the pre driving pedal. All the sustain, that Mark spoke of was present.

The Lil Dawg Chainsaw creates a real sound that is totally believable and is absent in all pedal chains that I have heard or experimented with.

thanks Charlie

Using the line out on the Li’l Dawg

There are various ways to add a line out to an amp so I thought it good to explain how to use the style that I add to the amps.  The same line out is used on all of my amps from the 5F1 Champster & 5E3 D-Lux, 5F4 SuperDawg, 5F6A TopDawg and even the 5E8A DoubleDawg.  So let’s take a quick look at the proper use of that option offers.   Continue reading

What the “Paul C” mod does for the player.

While there are other names for this mod it seems the most common is the “Paul C” mod, so we’ll use that for this discussion.  I also like to keep things simple for the benefit of the most people as well so instead of the technical aspects of what’s happening in the circuit, let’s look at what it actually offers the player.    Continue reading