It’s taken me a while to put this review of the Chainsaw up that my friend Charlie Shapiro did for me, but here’s it is now.
Lil Dawg Chainsaw Stand-alone review:
I am going to leave the stand-alone practice amp for Mark Revel’s review. He covered it all and I am in agreement with his findings.
Lil Dawg Chainsaw first device in the pedal chain:
I tested the 1 watt with the tube complement of v1: 12AX7 , v2: 12AX7, v3: 12AU7, silver pin JJ’s. I ran the 1 watt in the first position of my pedal chain with the guitar going into the 1 watt.
The sonic fingerprints was dead on for that elusive Black Faced Twin Reverb sound of Clarence White, Marty Stuart, and Jerry Garcia at their best.
Testing the 1 watt Chainsaw with the tube complement of v1: 12AX7, v2: 12AX7, v3: 12AU7, Gold pin JJ’s. I ran the 1 watt in the first position of my pedal chain with the guitar going into the 1 watt. The Gold pins created a wider creamer sound than the Silver pins with what appeared to be an earlier break-up that was fatter sounding. Starting to encroach upon British amp territory. By manipulating the Volume and single tone control, I was able to achieve a convincing Hi-watt, Orange, and Marshall type sound. I spoke to Euro Tubes and they said that Gold pins are more linear than the Silver pins in guitar amps.
Lil Dawg 1 Watt Chainsaw as last device in the pedal chain:
The most interesting position, for my ears and tastes, is placing the Lil Dawg 1 watt at the end of my pedal chain and outputted into the amplifier’s input. Volume and single knob tone controls were varied below and around 9 o’clock. The Lil Dawg 1watt in this potion, adds an amp’s ‘output section’ of distortion and tone to the chain. Further, the Lil Dawg 1 watt is very reactive to pedals and changes tone greatly depending on the pre driving pedal. All the sustain, that Mark spoke of was present.
The Lil Dawg Chainsaw creates a real sound that is totally believable and is absent in all pedal chains that I have heard or experimented with.