I was asked about a 6G11 brown Vibrolux as a 1×12 combo, & since there are no reproduction chassis available for the 6G11 brown Vibroverb, I needed to look for a suitable platform that would work for it and happened to find one that was just right. We added a custom faceplate with brown cosmetics & barrel knobs, then the brown cab with wheat grill cloth finished off the look. The customer loves the look of the amp & more importantly the sound of the amp as it sounded exactly liked he had hoped it would.
I’ve offered the 6G15 stand alone reverb as part of my line up in the past when I was doing my own cabs here, but never really pushed them once I began outsourcing my cabs. So it seemed timely right now to offer them again & here’s the first look at what I call the Li’l Dawg Reverberator.
While this one is done in the traditional brown cosmetics it’s also available in tweed, black, or other colors as well. While I like the chicken head knobs myself, I know a lot of folks prefer the barrel knobs so you get a choice on that as well.
Then I was asked again for another single channel build and this time is was a brown 6G16 Vibroverb in a LunchBox. While the amp retained the vibrato circuit we dropped the reverb portion off. The upgrades for this build included a Mercury Magnetics a 4/8/16 ohm multi-tap OT, Sprague Atoms, & SoZo Blue Molded caps, as well as a bright switch.
I was also asked about a 6G14 brown Showman head as well, and once again it turned out to be a single channel build. Since the customer didn’t really need the quad of 6L6GC’s that the 6G14 traditionally used, we dropped the power tubes down to a pair of 6L6GC’s to run in the 40-45 watt range with a set of Mercury Magnetics which included a 4/8/16 ohm multi-tap OT. Other upgrades included another personalized faceplate, switchable tube or diode rectification, switchable fixed or cathode bias, switchable boost on the first pre-amp tube, Sprague Atoms & SoZo Blue Molded caps. This amp was built in a Princeton Reverb chassis & head cab with the traditional blond cosmetics, and the amp turned out to have a very throaty growl as well as the great cleans that the 6G14 circuit offered.
I’ve had a few interesting requests for amps so far this year, and I figure it’s about time to put some info & pics out for folks to see what’s I’ve been having fun with the last few months. I’ll be going thru the various amps one by one and try to give a good description of what each amp was designed to be.
First we have a brown 6G6B Bassman build that I was asked for, but the customer only wanted to have a single channel (normal only) running in the 25 watt range for use as a stage monitor as everything gets mic’d in his band. So after numerous emails we came up with the idea of using a Princeton Reverb chassis for the build which would be small enough for use as a grab & go club amp. Some cap upgrades were added as well as a personalized faceplate and we had a nice & clean build put together, and it sounded just like expected so off it went to the new owner.
The Fender 6G2 Brown Princeton is one of the amps that you seldom hear about, yet it’s also one of the sweetest amps to play. It’s a single channel that uses a single volume & tone control, but it also has the true tube bias modulated tremolo that gives that deep throb to you music.
I’ve had good success with building them as the ChocoPrince LunchBox head, but thought it’d be good to also offer it in a more traditional head or combo. I kept waiting for someone to offer a reproduction style chassis for the 6G2 Princeton and finally decided to to come up with my own solution instead. So I ordered some head & combo cabs and here’s the final result for the effort as both versions are now available.